The melody of this sorrowful piano prelude by Armenian composer and musicologist, Gayane Chebotaryan, yearns and wails, ebbs and flows, grows and wilts. Intense stuff!

Anton Rubinstein was a Russian pianist, composer, conductor and educator (Tchaikovsky’s teacher!). He is best known for this delicious little sweetmeat, Melody in F.

A ‘Bransle’ is a type of Renaissance dance popular in the early 16th century … lots of dancers, in a line or circle, usually holding hands, having a merry old time!

John Stanley was an 18th century English composer and organist. Here's our arrangement of one of his particularly triumphant organ voluntaries for violin and piano.

This is a gorgeous, idyllic, pastoral song by the excellently named Norwegian violinist and composer, Ole Bull. Those herd-girls must be having a really lovely Sunday!

Johann Vierdank was a composer of the early 1600s. His Capriccio II features some wonderfully antiphonal, delightfully conversational interplay between the two parts.

This set of variations for three violins by Aleksey Yanshinov is a real bag of treats … there are loads of different techniques, styles and moods to get stuck into!

The German pianist and composer, Carl Bohm, really knew how to write a good tune! This is a fine example of a Sarabande — a slow, stately dance with 3 beats in a bar.

This lovely, lilting, flowing, yearning, dancing Medieval/Renaissance Ronde - written by that mysterious composer ‘Anon.’! - is exclusively arranged for two violins.

Probably virtuoso violinist Niccolò Paganini's most famous tune! The main theme of Caprice No.24 is joyful and exciting, and played using the hooked bowing technique.