Category: Technical Exercises

String Crossing Exercises

ViolinSchool’s String Crossing Exercises – eight pages of rhythm and bowing patterns – will help you get really really good at crossing strings!

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Tricky Trills

Tricky Trills will help you to practise double-stopped trills. Trills in thirds … trills in sixths … trills in octaves … and more … Very tricky trills indeed!

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G Major: Exercises in Thirds

Here are some exercises for practising the G Major scale in thirds. Make sure you practise slowly, and be very aware of the position of your bowing arm.

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1st - 4th Position - Finger Placement Exercises

These incredibly useful left hand exercises will help you to get really familiar with the placing of your fingers in the first four positions.

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First Finger Fitness

Give your 1st finger a proper exercise session with this first-finger-focused exercise based on quaver and dotted quaver rhythms!

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Double Stopping in Sixths - Exercises

These exercises are brilliant for practising double-stopped sixths! Use them for intonation work, and to develop a really solid left hand technique!

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Left Hand Fingers - Dexterity and Stamina

Is this the ultimate workout for advanced players? If your left hand can survive this, it can survive anything! To prevent cramps, keep your left thumb relaxed...

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Hook, Line, & Sinker

Hook, Line, & Sinker is a great study to use for practising hooked bowing. We use this technique to avoid unwanted accents or using too much bow when playing uneven note values. (such as dotted rhythms) in order to avoid unwanted accents on the shorter notes and to stop us from running out of bow!

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Intonation Exercises - 1st-7th Position

For a happy marriage of aural and muscle memories, keep the first finger down and learn the distances to the other notes within the hand ‘frame'.

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A Major Scale: Rhythm Patterns

Practise your scales with different rhythm patterns, to make your left and right hand movements more independent, and improve your coordination.

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Legato, anti-portato

Violinists often play portato (slightly re-articulated notes) instead of legato (smooth and connected). This study will help you to play as legato as possible!

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