These arpeggios are audacious indeed as they move between different major and minor keys. Keep the string crossings nice and smooth and watch out for the accidentals!
These arpeggios are audacious indeed as they move between different major and minor keys. Keep the string crossings nice and smooth and watch out for the accidentals!
The Song of Veslemøy, from Halvorsen’s Suite Mosaique, is a gorgeous folk song. It’s yearning, heart-warming tune will keep you warm on a chilly Norwegian evening!
Shift up and down with the first finger - from 1st through to 4th position - to get a new, and hopefully nice and clear, perspective on things!
Greetings and salutations! This bold but welcoming, Scotch-snappy tune will help you to familiarise yourself with the key of E major in one octave in first position.
Schubert’s Three Marches Militaires were originally written for piano 4-hands (not a 4-handed pianist!). The first one is the most famous, and definitely the best!
Enjoy that little bit extra as you make it a double! Keep your first finger across two strings throughout and then quaff those delectable double stops!
This study has lots and lots of broken chords, where each note of the chord is played one after the other, up and down, up and down, otherwise known as arpeggios!
Join the band of brave elves as they venture on an adventure to uncharted pastures! Watch out for the tremolo trolls, shifting serpents and staccato sea monsters!
Practise getting double-stopped octaves in tune to make lovely, shiny pieces of eight! An octave is an absolute miracle of music, but only if it's exactly in tune!
If you always know how to improve then you'll always be getting better and better! And this Practice Menu helps provide a clear structure for your violin practice.
The melody of this sorrowful piano prelude by Armenian composer and musicologist, Gayane Chebotaryan, yearns and wails, ebbs and flows, grows and wilts. Intense stuff!
Anton Rubinstein was a Russian pianist, composer, conductor and educator (Tchaikovsky’s teacher!). He is best known for this delicious little sweetmeat, Melody in F.
This is a gorgeous, idyllic, pastoral song by the excellently named Norwegian violinist and composer, Ole Bull. Those herd-girls must be having a really lovely Sunday!
The German pianist and composer, Carl Bohm, really knew how to write a good tune! This is a fine example of a Sarabande — a slow, stately dance with 3 beats in a bar.
Johann Vierdank was a composer of the early 1600s. His Capriccio II features some wonderfully antiphonal, delightfully conversational interplay between the two parts.
This set of variations for three violins by Aleksey Yanshinov is a real bag of treats … there are loads of different techniques, styles and moods to get stuck into!
This lovely, lilting, flowing, yearning, dancing Medieval/Renaissance Ronde - written by that mysterious composer ‘Anon.’! - is exclusively arranged for two violins.
Largo' is the opening aria from the 1738 opera, Serse, by Handel. It's sung by Xerxes I of Persia as he admires the lovely, sweet shade of a plane tree!
Bénoni Lagye’s Danse Espagnole captures the spirit of Spain with its vibrant, insistent rhythm patterns. Use energetic, incisive bowing to really make the piece dance!
This rousing melody by Henry Purcell was written to accompany the dramatic and tragic late 17th century play, Abdelazer. You'll need agile fingers to play this one!
Johann Vierdank was a German violinist, cornettist and composer of the early 1600s. His Capriccio I features some delightfully imitative interplay between the 2 parts.
Louise Farrenc (1804-75) was a piano teacher at the Paris Conservatoire for over 30 years. Her Étude in A minor is a mysterious siciliana with lots of dotted rhythms.
This graceful piece is inspired by the Ländler folk dances of German-speaking Europe. Hop and stamp your way through ... you could even try a bit of yodelling too!
Did you know, we now publish multi-level ensemble repertoire for strings? These scores allow players of different experience levels to play together! Here's 'Ragtime', performed exclusively for ViolinSchool by the Carducci Quartet!
Here's a clapping game that will help you to stop rushing when using a metronome by 'subdividing' the notes ... follow along with Simon from ViolinSchool as you clap and play the notes ... exactly in time with the beat!
